Debra Arman, New York Acquired from the above by the present owner. Haring's art and life typified youthful exuberance and fearlessness. While seemingly playful and transparent, Haring dealt with weighty subjects such as death, sex and war, enabling subtle and multiple interpretations. Throughout his tragically brief career, Haring refined a visual language of symbols, which he called icons, the origins of which began with his trademark linear style scrawled in white chalk on the black unused advertising spaces in subway stations.
Haring developed and disseminated these icons far and wide, in his vibrant and dynamic style, from public murals and paintings to t-shirts and Swatch watches. His art bridged high and low, erasing the distinctions between rarefied art, political activism and popular culture. Executed in , this work is accompanied by a certificate of authenticity issued by the Estate of Keith Haring.
Stepping Out With Cherries. Untitled SH. Untitled I Live on My Shadow. We the People Detail. Wall Drawing A-E Stars with four, five, six, seven, and eight points on black, blue, red, yellow, and gray walls, respectively. The stars are the white of the wall. Wall Drawing Splat. Folding Screen: B-7 Asymmetrical Pyramid. Untitled Red Shoe. Spring Nickel Network. Top of Niagara Daylight Waterfall.
Figure and two eyes. Untitled Film Still Zero Hour from Wayfarer. Untitled: Silueta Series, Iowa. Untitled 7 Icehouses. Questions Evidence. Doubt by Water Who. Lake Superior, Cascade River. Clair Ave. Zurich Bankproject no. Untitled Portrait. The Divided House of Faith and Reason. Dog Shit in the Head of the Pope. Untitled Study for Vacuum Cleaner Sculpture. The Austria Group No. Cardinal with Three Emeralds. Four Works: i-iv Untitled.
Mann mit gestrecktem Arm. Where Things Can Be. Untitled covered tire. The Giant Caved Wellars. Three Figure Balcony. His Last Dream, 29 July. Untitled Red Sea 4. The Dance on Red Rhythm.
